Marie-France Veyrat, Lió (1951) and Jaime de los Ríos, Sant Sebastià (1982).
Marie-France Veyrat
Marie-France Veyrat.
After returning to Grenoble, she is transferred to the province of Tarragona to face her new job. She is a versatile artist who shows a constant interest in researching and experimenting in artistic creation using different languages such as textiles, painting, three-dimensional, installations, digital compositions and land art. His work is based on visible experiences, records and journeys immagatzemats in everyday life that he transforms into real objects or virtual works. Each work represents a moment seen that is part of her life at some point in her life. He has been taught at the Triptych School in Reus. She is a founding member and current president of the jury of the ARCO-BEEP Electronic Art Prize. He has published three monographic catalogs along with six individual exhibitions.
Jaime de Los Rios.
Founder of the open Art and Science laboratory Arteklab, his career focuses on the intersection of these disciplines and science. Systematic, in relation to mechanisms, rhythms and natural patterns. His work refers to the space between human aspirations and the politics of technological language, therefore, he is a specialist in Programming and Machinery Lighting, working on his latest work, much of which is collaborative, in which he is immersed in dynamic work that relates natural and computational behavior. . In the future, Jaime has explored the social implications of communication mitjans, cybernetics and the home-machine relationship, exhibiting, acting and developing open projects in work groups, donating support to international artists and developing horizontal creation and production protocols.
Work for the collection: La Forme De l´Eau.
https://www.veyrat.org/
La Forme de l'Eau. Poétique D’un Instant 2019-2022
How do we preserve our records?
Memory tends to dissipate the form. Drifting from our most rational thought, we tend to scientificize our records: on, com, quan… Computable and direct data that, in most cases, reduce the experience of the one who has seen it to a list of items.
The “Forme de l’eau” converts a tangible memory into the most poetic elements, freezing an instant and infinitly.
An installation created with a scientific and physical installation of fluids to capture the fall of the water and emulate the shape in 3D printing, which does not cause, but rather offers in the language of the somnis opposed to the Newtonian laws, and algorithms rendered in real time, which are Succeeixen choreography in parallel
with the first-person story of Marie-France, who shares her vision to narrate a discovery.
Ironitzant on the speed of consumption and the novelty of contemporary society, Veyrat and de los Ríos invite us to reflect on contemplation and poetry of the moment.
It was a spring day when we were walking around the water that cau….