Flavien Théry, Paris, 1973 and Fred Murie, Rennes, 1972.
Speculaire (Flavien Théry & Fred Murie)
Spéculaire brings together artists Flavien Théry and Fred Murie to develop projects that involve physical forms, perceptual phenomena and digital technologies. The installations, objects and applications resulting from this association aim to manifest, in reality, the presence of immaterial dimensions, with new unsustainable realities…
Flavien Théry went to Paris next in 1973. He graduated from the Ecole Supérieure des Arts Décoratifs in Strasbourg and lived and worked in Rennes. After a career in the world of design, his research focuses on a connection between the optical and cinematic art movement and the current practices that serve our mitjans, with a particular interest in the relationship between art and science. He intends, through his various artistic purposes, to explore the entire spectrum of light, visible and invisible, wave and corpuscular, material and spiritual.
Fred Murie goes next to Rennes in 1972. He lives and works in BriSany. After a scientific career, Fred Murie has affirmed an artistic ambition that continues based on this initial training. This double identity has ported from painting to digital experimentation in order to develop a practice through which language is developed. Whether visual, verbal or digital, language allows you to question reality through a system of limitations. Restriction is considered here as a set of rules that can be subverted and transcended to reveal the creative force. In emancipating oneself from the rules, we produce hybrid and paradoxical forms with so many enigmes with the objective of disturbing our senses. Fred Murie works to create frames that give new perspectives through which our imagination can be deployed.
Treball a la col·lecció: Oracle
https://www.speculaire.fr/
Oracle, 2016.
A screen shows a visual “soroll” pattern that evokes cathodic neu. When the viewer reviews this random image, some typographical forms appear and disappear just as quickly as the natural movement does. Here, in an apparently buit space, sorgeixen the signs of a more technologically hypothetical.