Wintertur, 1977.
Oscar Martin
License in Fine Arts from the Polytechnic University of Valencia, specializing in sculpture and our mitjans. Artist and experimental programmer who works in the fields of sound art, installations, interactive and generating systems, performance and radio-net-art.
Óscar Martín, also active under the pseudonym noish~, is an electronic artist who currently resides in Barcelona. Fervent defender of the esperit of the lliure programming, he develops the seves propòpies eines for the synthesis and the processing of his, both of which trigger ràfegues of his generated by algorithmic and chaotic processes. Their works have been published in the Free Software Series, Uzusounds, Drone Records and Tecnonucleo, among other titles, and have been presented live throughout Europe and Latin America. Martín is also behind the MetaminaFNR streaming platform and is editor of UrsonateFanzine, a publication dedicated to the Spanish experimental music and sound scene.
Óscar Martín, alias noish, Winterthur 1977
Artist, programmer and independent researcher. In the practical practice of art, science and technology converge from an experimental and heterodox approach, it addresses emergence and self-organization in complex systems with the collaboration of non-human agents. From the sound aspect, the six fish propose to promote active escort and expand the perception through the physical-acoustic experience of the phenomenon of the appearance of structures and patterns at the limits of chaos and order. His sonorous works have been published in the Free Software Series, Nyapster, Drone Records and Tecnonucleo, among other films, and have been presented live in Europe and Latin America. Martín is also behind the streaming platform MetaminaFNR and is co-editor of the auditory culture and experimental music magazine UrsonateFanzine.
Treball a la col·lecció: MMM#1 (Dual Markov Beat)
https://juannaranjo.eu/exhibit/oscar-martin-meta-music-machines/
MMM#1 (Dual Markov Beat), 2021.
[Dual Markov Beat] thoroughly analyzes the rhythmic information of different folk music from different geographies and temporalities such as Japan, Peru, Malaysia or Thailand among others. After synthesizing the rhythm of these music, using predictive models, to produce new sequences that activate luminous structures of LED tubes. These new rhythmic sequences are generated from the mathematical model of Markov chains: a random system, proposed by Russia Andrei Markov in 1907, in which a random variable changes over time in a predictable manner. Because of this operation, these chains are used as musical composition algorithms, but also in meteorological, economic and epidemiological predictions.
https://vimeo.com/660273395?embedded=true&source=vimeo_logo&owner=50045107