NEWART centre – Centro de arte digital y tecnológico en Reus

Breisach, 1983 | Berlín, 1984.

Julius von Bismarck & Benjamin Maus

Julius von Bismarck and Benjamin Maus are two German artists based in Berlin who often collaborate on various projects, always related to media art.
Julius von Bismarck studied Visual Communication at the Berlin University of the Arts and was a member of Joachim Sauter’s “Digital Class.” In 2013 he was completing his Master’s degree as a student of Olafur Eliasson and his Institute for Spatial Experiments at the Berlin University of the Arts. He also took part in the MFA program at Hunter College in New York. Julius von Bismarck exhibits his works worldwide and has received several awards, including: The Golden Nica Award 2008 and Prix Ars Electronica Collide @ CERN 2011. Benjamin Maus works as an experimental designer and artist in Berlin. After completing his studies at the Berlin University of the Arts, he undertook a research semester at the University of Tokyo (Daigaku). Benjamin Maus is co-founder of Studio FELD and primarily works on projects that explore the interface between craftsmanship and digital media. Their work “Perpetual Storytelling Apparatus” won the 5th edition of the ARCO-BEEP Electronic Art Award. Work in the collection: Perpetual Storytelling Apparatus http://juliusvonbismarck.com https://www.allesblinkt.com

Perpetual Storytelling Apparatus, 2009

The “Perpetual Storytelling Apparatus” is a drawing machine that illustrates an endless story through the use of patent drawings. The machine translates words from a text (for example, a novel) into a stream of patent drawings. Eight million patents, linked by more than 22 million references, form the vocabulary. By using references to previous patents, it is possible to find paths between patents that have been identified for combinations of words within the story. These connections form a subtext. New visual connections and narrative layers emerge through the intertwining of the story with the representation of technical developments.

The apparatus takes a combination of words from the story and searches for a patent document whose text contains those words. It then extracts the main drawing from the patent document and draws it. As it progresses through the story, it finds the next patent document. Between the patent found and the previously drawn patent, the patents connecting the two are drawn in between. This process repeats, ingesting one story after another and generating an endless stream of patent drawings.

The first two instances of the “Perpetual Storytelling Apparatus” use the database of the United States Patent and Trademark Office. The third apparatus, recently installed at the German Patent Office in Munich, uses the entire archive of patents filed in Germany.